Trend Reversal?

E-books are changing the publishing landscape in a variety of ways. One of those ways is when money is made.

If I were to sign a contract with a large publishing house tomorrow, I’d get a large chunk of cash. Most of the big publishers pay an upfront advance. Hopefully my book sells enough copies make the publisher a return on their investment. Once that happens, anything sold after the advance is sent to me in the form of a royalty check.

Most of the time a book makes money right off the bat. Book stores order copies, place them out front (hopefully), and the author spends a lot of time trying to generate buzz by going on tours, doing signings, etc. If your book does well, it may get legs and continue to sell well, but usually sales drop off quickly. The publisher, who  has been marketing the book, takes those marketing dollars and supports the next book coming down the pipe.

E-books are different. Authors usually don’t have much of a marketing budget. They can tell their friends, blog about it, tweet, etc., but even that will likely only sell dozens of books, not thousands. Instead, if your book is good, word begins to spread. Maybe you get four or five stars on Amazon, which in turn spurns more sales. More sales means more buzz, which again generates sales.

Where a print book sees large sales up front, then a slow and steady decline, e-books are usually the opposite–low sales, and then slow and steady growth, assuming your book is decent.

Think of the placement of a print book. It starts at the front of the store because it’s shiny and new. Then it’s pushed back to the back of the store, and then it’s discounted, or even sent back to the publisher to make room for the new books.

With e-books, they start on the electronic shelf, and there they stay. They never get kicked off the shelf, they’re just there. And if they’re good, then there is a good chance that sales will pick up.

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“Not Remotely Fair…”

Found a good article about e-books and electronic rights.

Tom Holland, chair of the Society of Authors, has called publishers on the carpet over electronic rights. He says the current state of contracts is “not remotely fair” for authors.

Holland things publishers and authors should split electronic royalties 50/50.

From the article:

“Most publishers are insisting they should control ebook rights and this will be written into standard contracts. I think it’s an entirely reasonable position to take, so long as the royalties and returns on ebooks are fair and proper and reasonable. If they are not, I suspect we may well find very big-name authors, such as JK Rowling or Dan Brown, will go their own way,” said Holland. “It’s a danger publishers need to recognise and a danger for writers as well. If JK Rowling controls her own ebook rights [then] there’s less money for her publisher to invest in new authors. We could face a situation of very big-name authors pulling the ladder up after them [and] we have a stake in seeing a healthy publishing industry.”

“Although publishers “are inclined to dismiss the argument that costs are reduced on ebooks”, Holland said: “Once a system has been set up, publishers won’t be paying for warehousing, distribution and printing, and we have to ask ourselves what are they spending the money on?”

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Scattered Prices

E-Book prices have been fluctuating over the last few months. Most prices have been inching upward, thanks in large part to the iPad and something called the agency model.

Before the iPad came along, publishers would sell their e-books to Amazon at a certain price. Amazon would then turn around and sell those books for whatever price they wanted. Amazon often sold the books for a lower price than they paid, in hopes of driving Kindle sales.

Under the agency model, Amazon isn’t allowed to set their own prices; they must sell it at whatever price the publisher sets. Publishers want to sell their e-books at a higher price because they don’t want them biting into print sales.

It’s all a little confusing, but I found an article that does a pretty good job of summing things up. The bottom line is that readers are paying more money for e-books because publishers are hesitant to try new strategies that may affect the old model.

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E-book News Roundup

The Apple iTunes App store is hacked, and 42 of the top 50 books were bogus.

A study showed that people read slower on on an e-book device. I think this study will be debunked, and like this article that asks, so what?

Borders opens it’s own e-book store. Too little too late? Or will they be able to compete?

A nice review of the major e-books currently on the market.

Borders gives away five free e-books.

James Patterson breaks an e-book record–one million e-books sold.

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There’s an App for That

Great article documenting one person’s path from digitally self-publishing his book, to landing a contract with a publisher. And it all started with a rejection letter from Steve Jobs.

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Established Authors

Thanks to Seth Johnson for pointing me to this article, as well as the followup article. I usually focus on using e-books to attract a following, and thus leading you to every writers dream–the big contract. But even established authors are sitting up and taking notice.

As I’ve mentioned before, The Wylie Agency has put all of their e-book rights on hold. If an authors can get 70% by putting up a book on Amazon, why settle for 10% or 15% and go through a publisher?

Michael Stackpole, an author who has written in the Battletech and Star Wars universe, is taking it one step further. He’s offering one of his books, Talion Revenant, through Kindle, as well as selling it right from his site. Selling it on his site garner’s Stackpole about 86% of the cover price.

Michael has said if he sells 10,000 copies, about how many the print version sold, he’ll write the sequel to Talion. [Update, Tallion Revenant has sold over 40,000 copies in print, not 10,000. See Michael Stackpole’s comment below for more information.]

Unpublished authors are always looking for ways to get published, so it’s no surprise they would  hop on the e-book wagon. But when you see published authors jumping ship and turning down offers from publishers to retain their digital rights, you know that e-books are changing the way we read and write books.

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Konrath on Self-Publishing

When I started this site, I gave you a few blogs you should follow. J. A. Konrath’s blog was one of those sites, and I still think he’s someone you should follow. He has a great article today on the pros and cons of self-publishing via e-books.

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Send me your resources…

I’d like this site to be as useful as possible. Self-publishing/e-books can be tricky Authors must do a lot of things on their own–things that normally are done by an agent or a publisher. Authors who self-publish have to worry about:

  • Cover art
  • Cover design
  • ISBN Numbers
  • Editing
  • Typesetting
  • Marketing (including setting up a website, blog, online social networking, etc.)
  • Printing
  • Uploading digital files to multiple sites
  • and more

Some of this an author can do on their own, but a lot of it will be difficult and overwhelming. And in some cases, if you don’t do it well, you run the risk of damaging your brand.

So, in the interest of making this website useful to authors who are looking into alternative routes to publishing, I’d like to create a page with a list of resources that can help authors with the tasks above. So I ask you, my readers, if you have hired somebody to perform any services around self-publishing/e-books, or you know of people who provide these services, please post them in the comments, or send them to marion jensen at gmail . com. I’ll compile a list and will post it here on the site.

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What Publishers Should Be Doing

Angela Eschler, my old editor at Covenant, and a friend of mine, pointed out that I left a cliff hanger in one of my recent posts. I never returned to the topic, but I’m returning now. I wrote:

“Does this mean publishers are pretty much worthless in this new model? Do they go extinct? No, but it does mean they have to adapt. There are several key things they must do in order to provide value to the process, and I may or may not talk about what those things are in a later post.”

The post talked about how the lower price of e-books, and the higher royalty rate to authors, will have a significant effect on the publishing business. If an author gets more money by selling e-books, and they can sell more copies because of the lower price, why do we even need print books? And if we don’t need print books, why do we need publishers?

Printed books will not be going away any time soon. The demand for real books is dropping, even as the demand for e-book rises, but it won’t go away, at least not in our generation. So publishers will always have a job printing and selling books, but it will likely look much different. However, just like the candle makers couldn’t ignore light bulbs, printers must develop a new strategy around e-books. I’m no expert, but here are my two cents on areas they should be aware of.

One benefit e-books provide to publishers is these books will take out a lot of the guess work publishers now face. Editors make assumptions as to what will sell. If an author has thrown up an e-book on Amazon, and it’s sold 100,000 copies, this is a good sign to the publisher that they have a winner on their hands. The publisher can safely assume that a printed version of the book would also do well.

I see editors and agents of the future watching e-books on Amazon, Smashwords, and iBooks very closely for the next big thing. Authors who can prove their books sell online will get query letters from publishers who ask to represent their print rights.

As authors become more aware of e-books, digital rights will become extremely hard for publishers to secure. We’ve recently seen one of the biggest literary agencies put a freeze on all of their client’s digital rights. For a print book an new author get’s 5-15%. For digital rights, they get 70%. Publishers must either pay higher royalty rates for e-books, or find other strategies.

Publishers should also not be afraid to use e-books as a way to drive sales of print books. Thorough studies, as well as less rigid experiments, show giving away electronic books drives up the sales of printed copies. This is the open model I’ve talked about. The model applies to low cost e-books as well. Sell the e-book for cheap, and then sell the printed version as people go looking for books to buy as gifts.

Finally, publishers should be combing through their decades of backlists, looking for books they already have the rights to that may sell well today. One of my favorite authors is Fredric Brown. Most folks have probably never heard of this author, but I think his books would thrive in an e-book format. You can buy a few his books in digital format, but somewhere, some publisher has the rights to classic Frederic Brown. Get his books online, generate excitement, and reap both the digital rewards, as well as maybe generating interest for new print runs.

Publishers have a tough row to hoe, but they do have the benefit of seeing how the music industry, the movie industry, the television industry, and the newspaper industry have weathered their own respective digital storms. They should look to these industries, study what has and hasn’t worked, then cross their fingers, treat their authors well, and hope for the best.

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Optimal Price of e-books

Interesting interview over at Gallycat with David Carnoy who went the self-published to published route. He says the optimal price for a book is $3.99. Low enough to appear like a significant discount for the traditional books (which are now often well above the $9.99 price point Amazon was aiming for), but high enough that the books appears like it has value. The $3.99 also is high enough to earn the 70% rolaty rate. Authors who self-publish will earn $2.79 for each copy sold.

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