Book Length

For various reasons, I’m changing my current book (Almost Super) from a YA novel to a middle grade novel. This entails dropping the characters’ age, as well as the number of pages. It got me thinking…

There are certain guidelines when it comes to how long novels are supposed to be. Middle grade is traditionally 20k – 40k words. YA can be up to 80k. Epic fantasy is around 120k-130k.

Why the word count? Is that how many words kid can read before they get bored? Or is it too daunting to pick up a really thick book? With e-books, you don’t have that problem. A book might be 50 pages, or 500, it’s going to look roughly the same when you download it.

It makes me wonder if e-books might bring back the short story or novella. It’s hard to make a return on a printed 20 page short story, but I’ll be willing to bet people would pay 99 cents for a digital copy of a really good short story.

So all you authors out there, dust off your files, and poke around. Do you have a killer short story? Or have you had an idea for one, but didn’t think it would be worth fleshing it out? Maybe it’s time to think again.

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Part of the Problem

I came across a tweet from Pyr Books today that illustrates part of what I see as the problem with the current publishing model. Pyr tweeted the following:

“Agents, please stop telling me your client’s book is “unlike most other fantasy books.” If that’s the case, I am unlikely to be interested. See, I buy fantasy books for people who read fantasy. Don’t insult their tastes by telling them they’ve never read anything good before this.”

Then, an hour later, Pyr said the following:

“As Pyr closes in on 100 titles this September, I confidently believe we have pushed the envelope in all sorts of directions.”

So wait, you don’t want agents to send you things that are “unlike most other fantasy books”, but you boast about pushing the envelope?

To me it sounds like it’s semantics. If the agent had written and said, “I have a book that pushes the envelope”, would you have been interested? Does the editor at Pyr books reject a manuscript simply because he or she didn’t like the wording of the agent’s e-mail? In a later tweet, Pyr Books says that “no agent [is] better than [a] bad agent.” It sounds to me like this publisher is more worried about who the agent is than the content of the manuscript.

We like to think that books get published because they are good. This is usually the case, but not always. It’s equally untrue that if a manuscript is rejected, it must therefore be bad.

I was following one of those tweetups a few weeks ago and an agent said that the most important thing she looked for in a manuscript was quality. She didn’t care about anything else, “It’s all about the writing”. Five minutes later she said, “I’ve never represented anything from the slush pile. All my clients are referred to me.” Wait, so which is it? By some cosmic chance are the people who submit to you all horrible writers? Or does knowing somebody help an author get published? How many aspiring authors have the advice given about going to conferences so you can meet editors and agents? Isn’t it all about the content of the manuscript?

In a digital model, the good stuff rises to the top because of merit, not because an agent used the right phrase, or because the author knew a guy who knew a guy.

Please note, I’m not saying that stuff published today isn’t any good. Far from it. I’m saying that there are a plethora of good manuscripts out there, and the current model is keeping those manuscripts from seeing the light of day. A digital model tears down this wall, and gives us a wider selection from which to choose.

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Kickstarter

Well, my kickstarter campaign has ended. I finished with almost $3,000 raised of the $5,500 I needed. And while technically it was a failure, I learned some valuable things. If any of you are thinking of starting your own kickstarter campaign (and it can be used for more than just publishing books), here are a few lessons learned.

  • You’ve got a have a good pitch. I think the video I put together really helped. I was overwhelmed by how many of my friends and family donated to the project, but I was also amazed at how many total strangers donated money, just based on the video and my pitch. You can’t just throw up a page that says, “Hey, I need money.”
  • You have to be fearless when it comes to marketing. Network, network, network. This is where I fell short. I posted the link to Facebook a few times. I posted here, and on Twitter. Every time I did I’d see more people donate. But I didn’t want to turn into one of those blogs or Twitter feeds that is just pestering people to donate. I’ve never been a good marketer, and this time was no exception. I should have been passing out cards, and telling everybody I knew…but I didn’t.
  • Kickstarter works. I’ve seen a lot of projects get funded, some incredibly so. This one asked for $10,000 and got over $200,000. I’m convinced that Kickstarter and other similar sites provide a new model that decentralizes the whole grant process. And that is a good thing.

I’m glad I started the project. I heard from many people telling me they enjoyed the first chapters. It’s motivated me to redouble my agent/publisher hunting and try once again to get this book published.

Thanks to all of you who supported.

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Just a reminder…

I’ve steered more of my posts on writing to my other blog, http://marionjensen.com Make sure to update your Google reader or RSS feed. I wish there was some easy way to do a re-direct, but I haven’t had the time to sit down and figure it out. Plus, I don’t want to walk away from my Google page rank.

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The Sky is Falling

As it happened, Scott Adams wrote a post about content and authors on the same day I wrote my last piece. He predicted the end of the traditional author.

I’m a big proponent of e-books, the open model, and other affordances provided by a digital world. However it’s easy to predect dire consequences or happy worlds that quite frankly will never come to pass.

Remember the paperless office idea? Sure e-mail has changed the way we do things, but we still have paper. What about newspapers? Remember a few years ago when people were lamenting that our kids’ kids would never hold a newspaper? Well, that isn’t coming to pass either. Newspapers are adapting and transforming, but they aren’t going away. Well, the ones that aren’t adapting are going away, but you know what I’m mean.

What about books? Will our kids’ kids never hold a book in their chubby little hands? Will there be no such profession as an author in the future?

No. That’s just plain silly.

Look at the newspaper industry. Blogs came along in the early to mid 2000s. Suddenly everybody and their goldfish had a way to talk with other people–their own newspaper, if you will. It can be argued that most of these blogs were and are of ‘poor quality’. If you hold up a random blogspot blog and compare it to the NY Times it is clear which is better reading.

But the important thing to remember is the new model is a meritocracy. For every ten thousand blogs that are of ‘poor quality’ there is one that is downright amazing. And because blogs choose to focus in on a very niche market, they find a loyal group of followers.  Throw Google AdWords into the mix and suddenly you have a working model. People blog about something they enjoy, they make a bit of money, and everybody is happy.

Well, not everybody. In the old model you had a few businesses that got all the pie–all of the advertising dollars. One or two newspapers in each market dominated and the cost of entry was too high for most people to participate. But blogs brought that cost down, and readers and producers of content benefited.

The same thing is happening with books. In the past you’ve had your superstar authors, those that make ungodly amounts of money. Then you have a second tier that can eek out a living doing what they love. Then you have the third tier that can’t make a living, but enjoy doing it in their free time. The old model is geared toward those superstar authors. Marketing and promotion dollars go to them. The second and third tier are left to fend for themselves.

E-books level the playing field somewhat. Everybody has a chance now, even those who couldn’t find a publisher in the old model. Will the e-book revolution produce a lot of garbage? Yes. Will it produce a lot of very cool, niche books by authors who weren’t ‘marketable’ in the old model? Absolutely. And both readers and authors will benefit.

Google helped spread the wealth with adwords–more people got a piece of the pie. Amazon, Apple, and others are now doing the same for authors.

More choices for readers, more avenues for authors, all at a lower cost. Unless you’re part of the old model, that has to look pretty good.

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E-books in the Wall Street Journal

Good write up in the Wall Street Journal on e-books. Many, many examples of people making it without publishers. My favorite quote is from Karen McQuestion who spent almost a decade submitting her book to New York publishers, then gave up and self-published it through Amazon. 36,000 sales later, she has this to say:

“All of this time I have been trying to get traditionally published, I was sending my manuscript to the wrong coast.”

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The Coming Storm

E-books are bringing big changes to the publishing industry. Whenever e-books are discussed, publishers like to remind people that the actual printing of a book is a very small piece of the overall cost of the book. They remind us of this point for one simple reason–they have to justify why the e-book costs as much as the printed version.

The numbers are misleading.

There are many costs that go into getting a book ready for publishing. They include:

Cover Design
Cover Artwork
Content Editing
Copyediting
Final Layout
Marketing
Promotion
Printing

I’m probably leaving some things out, but these are the major costs. As you can see, printing is just a small part of that.

However, the cost of the physical book is higher than just the printing. For example there is cost in physically moving all of these books from the printers to the stores–gas and labor. Then there is the process of getting the right books–in the right numbers–to the store. This is a complicated process and requires oversight–more labor. Then there is the labor cost for store employees to unpack and place books on the shelf. There is also an opportunity lost cost. If I stock my store with books A, B, and C, then books X, Y, and Z get shipped back to the publisher. If a customer comes in looking for book Y, I can’t sell it. And speaking of those books being shipped back to the publisher, that is more gas, more labor, more oversight. The publisher has to eat these costs. All of these costs–not just printing–dissapear with e-books.

If these expenses are not bad enough, there are further expenses in just turning on the lights for publishers. Remember, the publishing company and all its expenses have to come out of the books they sell. Each and every book has to pay for editors, managers, office assistants, interns, office space, office supplies, business travel, business lunches, web hosting, IT, etc. Authors are supporting the many, many people who work in the publishing industry, and this is why authors only see ten to fifteen percent from the price of each book.

So let’s take publishers out of the picture for just a moment. E-books allow authors to sell straight to consumer and bypass many of these extra costs. I just went through this process, and so I have a rough idea of the expenses. You can spend more or less, but the below costs will get you a very decent book (assuming you start with good content):

Cover Design – $500
Cover Artwork – $1000
Content Editing – $2000
Copyediting – $1000
Final Layout – $500
Marketing – Varies
Promotion – Varies

Assuming an author has mastered their craft, $5,000 will get you a very professional looking e-book.

How many books would you need to sell to see a return on the $5,000 investment? Amazon allows authors to keep 70 percent of the cost of the book. If you price your book at $1.99, a price at which Joe Konrath has had good success, you would need to sell about 3,600 books to earn back the $5,000.

How probable is this? Hard to say. In my recent (unsuccessful) Kickstarter campaign, I pre-sold 300 copies of my YA novel, Almost Super. I spent zero on marketing and promotion. Amazon gives you a much wider market. Joe Konrath has compiled a list of authors who are selling e-books, and many of them find they sell between 10 and 20 a day. This would mean it would take a year to recoup the investment. Add Lulu.com paperback sales (no additional costs), iPad, Nook, and Smashwords, and you have an even wider market.

There is a reason that many of the big publishers aren’t embracing e-books, or at the very least, trying to enforce old pricing scheme on the new model–it’s the only way they can keep things running as they have been.

But the model is changing, and it’s bringing new opportunities to authors and publishers who ‘get it’. We should be watching these new models, and finding out how to take advantage of them. As Eric Hoffer so eloquently put it: “In times of change learners inherit the earth; while the learned find themselves beautifully equipped to deal with a world that no longer exists.”

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Statistics from an 8 mile run

Number of runners/walkers/bikers I saw – 51
Number of dogs I saw- 8
Number of dogs I saw making a doo doo – 2
Number of owners I saw cleaning up after their dogs – 0

THE JORDAN RIVER PARKWAY IS NOT YOUR DOG’S PERSONAL BATHROOM

Morons.

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E-book Platforms

I’m admitting up front that I’ve never published or sold an e-book. I’m hoping to soon, but as of now I can only describe what the process looks like from the the outside looking in.

That being said, I’m a little surprised at the difference in complexity between publishing a book with Apple and with Amazon.

If you want to sell through the iTunes store, this is what you’ll need.

A mac (sorry PC users, you’re out of luck)
A US Tax ID number
Quicktime Pro
ISBN Number
File must be in ePub Format

For Amazon and the Kindle:

PC or MAC
No Tax ID number
No proprietary software
No ISBN Number
File can be in .txt format, html, or even .doc.

With Apple there is no guarantee that your book will be published. In fact, they call the upload process an ‘application’.  They will review your book before they publish it.

The Kindle has a feature that allows you to enable or disable DRM. I’m unsure if Apple has the same feature, or if they include or exclude DRM by default.

The Apple application looks pretty costly and complicated. It sounds like it may be hard to get payments processed as well. On their application page they say “…you should consider this before applying to work directly with Apple as you may receive payments faster by working with an Apple-approved aggregator.”

I’m hoping to have an e-book ready for upload this fall. By that time, maybe Google will have their book store up as well. I’ll submit it to all three, and let you know how easy it is.

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Barnes & Noble & Self-Publishing

It appears that Barnes & Noble is about to enter the self-publishing world. This summer B&N will be launching PubIt, a service that will allow anybody to upload their work, convert it to the ePub format, and sell digital copies through B&N reader system.

This service is nothing new. Authors have been able to self-publish on Amazon and the Kindle for several years. However, the fact that B&N–the largest bookstore chain in America–is entering the self-publishing fray is significant.

B&N does offer bring something unique to the table. Each book will have a sample preview for customers outside the store. However, when you enter a B&N store, you’ll be able to preview the entire book.

With B&N entering the mix, this will likely prove to be good for both author and reader. Competition usually brings lower prices, both for the books themselves, as well as the hardware. Authors will benefits because there will be one more way to get their work in front of readers.

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